Exclusive interview with artists on their new piece added to the EPI 320 Museum Collection
One of the artists’ of the group wearing the cloak.
The cloak, crafted by artists Kelly Le, Sophie Walker, Cora Cashmere, and Hathaway Bush, has been newly added to the EPI 320 collection at the Museum of Epidemiology. It was unveiled earlier today in the gallery alongside many other art pieces and projects as part of the showcase to introduce the concepts of epidemiology.
Pictured are the front (left) and back (right) sides of the cloak.
The opening of this new collection is part of the museum’s mission to
make epidemiology more accessible and intuitive to understand. Today, I
was able to talk to the group to gain some exclusive insight into their
inspiration and get some clarity behind the meaning of certain details
on the piece.
What inspired us in making this artwork was first thinking about how this piece of clothing mainly surrounds our body around the upper torso. This led to us thinking about how our lungs are an important part of our health and very entwined with people’s well being. Such a large organ is susceptible to numerous different diseases and conditions. Smoking is a largely researched public health topic and we wanted to convey the association it has to lung cancer.
Our cloak tries to depict some of the tools epidemiologists use to
calculate specific measures of association and represent what that
measure might look like visually. We want to also highlight some of the
strengths and limitations of the study design that was used from the
data we chose.
Closer view of the front sides.
On the top, you can see the two variables that are the focus of this all. Smoking being the exposure on the left and lung cancer being the disease or outcome on the right. They are both in hazy clouds that come from cigarette smoke spanning across the front and back of the piece.
Of course, the two lungs on the front draw the most attention. We hope viewers at the museum notice that the pair of lungs are placed exactly where they would be on your actual body when you wear it.
Overall, we wanted to highlight the severity of this public health problem so we kept our color palette to reflect that. Using a combination of grays, blacks, and reds, we wanted to visualize the danger through this color language.