(Maybe) Fun Fact: I chose this data set from FiveThirtyEight because I majored in Media and Film Studies as an undergraduate before becoming a software engineer. This sort of information is really valuable in the study of culture and communications.
The Dollar-And-Cents Case Against Hollywood’s Exclusion of Women
Original Data and Code on Github
The article dives into the origins and limitations of the (very imperfect) Bechdel Test. Though it endures in pop culture as a generic measure of whether a movie can be considered “feminist” at a most basic level, it is much more useful in viewing overall trends and profitability in media content.
all_movies <- read.csv("https://raw.githubusercontent.com/fivethirtyeight/data/master/bechdel/movies.csv")
To limit the number of rows, I selected only movies for the last 5 years of the data.
The following columns were selected:
sub_movies <- all_movies[all_movies$year > 2008, c(1, 3, 6, 11:13)]
colnames(sub_movies)[3] <- 'Bechdel'
colnames(sub_movies)[4] <- 'budget'
colnames(sub_movies)[5] <- 'domestic'
colnames(sub_movies)[6] <- 'international'
A preview of the new table:
library(knitr)
kable(sub_movies[1:10,],)
year | title | Bechdel | budget | domestic | international |
---|---|---|---|---|---|
2013 | 21 & Over | FAIL | 13000000 | 25682380 | 42195766 |
2012 | Dredd 3D | PASS | 45658735 | 13611086 | 41467257 |
2013 | 12 Years a Slave | FAIL | 20000000 | 53107035 | 158607035 |
2013 | 2 Guns | FAIL | 61000000 | 75612460 | 132493015 |
2013 | 42 | FAIL | 40000000 | 95020213 | 95020213 |
2013 | 47 Ronin | FAIL | 225000000 | 38362475 | 145803842 |
2013 | A Good Day to Die Hard | FAIL | 92000000 | 67349198 | 304249198 |
2013 | About Time | PASS | 12000000 | 15323921 | 87324746 |
2013 | Admission | PASS | 13000000 | 18007317 | 18007317 |
2013 | After Earth | FAIL | 130000000 | 60522097 | 244373198 |
Going forward, it would be valuable and interesting to have data from after 2013. Over 10 years after the Bechdel Test first entered our cultural lexicon, there have been seismic culture changes in Hollywood and the US media at large. Also, the international film scene has grown to be extremely influential and profitable; it might be interesting to include international releases. (With acknowledgment that it can be very difficult to attribute a film to specific country - would it be based on language? Filmmaker nationality? Source of funds? Etc.)